I’m life’s comic relief, a mere punchline
Not given arcs, no changes, no real screen time
Allow myself to change, is that a crime?
Sit the fuck down bitch, it’s lunch time
My head is spinning, I’m overthinking
Every micromovement, every dumb decision
Any bit of trust, every time they look
Could it be lust, or is it just disgust
Life’s a bitch when you see yourself in misery
Everyday, my own fucking brain is trying to kill me
Do you fucking hear me?
That’s why we like to demolish the pit, habibi!
Go!
Any circumstance, that’s how I feel
Got loved ones here, got all my friends
All of a sudden, I spin the wheel
And I make it fucking massive in Journey’s End
Next thing you know, I’m rubbing elbows
I’m loved by all, I'm knee-deep in hoes
Catch me snorting coke with the King
Huffing jenkem with Peter Norton
No matter what, I will always feel unimportant
Get fucked!
Here, how does it feel to have cameras put all over you?
Paparazzi bro, another Monday
I-I’m too damn famous what can I say
What’s wrong with him?
He’s high as a fucking judge
Bro, this room is lit
Bro, I’m the- I’m the next f-
I’m the next fucking, what’s that guy’s name?
I think, bro, can I play one song?
Yeah, which one?
Yeah I have one crazy ass song
Can you tell us?
Huh?
Can you tell us?
I’m a bad person?
What?
No, you’re a sick man.
supported by 8 fans who also own “Kaizo Slumber Found Dead in Miami”
each track uses the fact that its digital hardcore in its own unique way each time, rarely sounding similar to the other despite generally being noisy and in your face. i find this to be especially helped by Machine Girl's usage of unique samples or their own voices, which i can barely understand but honestly it really adds to the charm and aesthetic of this release. i know this album is 7 years old at the time of writing this, but it still holds up incredibly well. Molly